Showing posts with label Bhavana. Show all posts
Showing posts with label Bhavana. Show all posts

Saturday, February 16, 2008

Ontari Movie Review

Movie: Ontari Dialogues: Marudhuri Raja Music: Manisharma Cinematography: Sarvesh MurariArt: Venkateswara Rao Editing: Gauthamraju Action: Vijay Presents: Pokuri Rama Rao Producer: Pokuri Babu Rao Story, screenplay & direction: BV Ramana Banner: Ee Taram Pictures Cast: Gopichand, Bhavana, Rajiv Kanakala, Paruchuri Venkateswara Rao, Sayaji Shinde, Asish Vidyarthi, Ajay, Sunil, Ali, Naresh, Raghubabu, Supreet Reddy, Chitti, Rajitha, Indu Anand and others.Released on: February 14, 2008
Gopichand had a strong connection with the Ee Taram banner. In fact, the banner was launched by his father T Krishna along with Pokuri Babu Rao. After the demise of T Krishna, Pokuri Babu Rao continued to produce hit films like 'Neti Bharatam, Repati Pourulu' under the banner. T Krishna's son Gopichand made his debut under the banner in the blockbuster 'Ranam'. Now the success of this producer – hero combination has been repeated – this time under BN Ramana's direction.
Story:
Vamsi Krishna @ Vamsi (Gopichand) is the son of Muddu Krishna (Paruchuri Venkateswara Rao) and is the third son in the family. He loves his family very muchEverytbody in the familt get along each other. Raghava (Rajiv Kanakala) is Vamsi's best friend and is an MLA. Vamsi wants to make him a minister. Kanaka Mahalakshmi @ Bujji (Bhavana) is an orphan and is pursuing her B. Sc (Computer Science). She is very kind hearted.
Vamsi falls in love with Bujji at first sight. Bujji cheats Vamsi's brother and takes 15,000 from him – an amount that she needs for a child's operation. She later returns the money. Using this as en excellent opportunity to meet her, Vamsi introduces himself as a CBI officer and keeps meeting with Bujji. He later tells her that he loves her.
A local goon (Ajay), Mahankali's brother (Asish Vidyarthi) - a local mafia don, teases Bujji and gets a thrashing from Vamsi. In taking revenge, Mahankali kidnaps Bujji and whom his brother rapes. To do this, Mahankali takes Raghava's help. Like a true politician, Raghava stabs Vamsi in the back. Bujji dies after the rape incident and Vamsi goes into coma.
After gaining consciousness, Vamsi starts suffering from visual hallucination and thinks that Bujji was still with him. Vamsi decides to take revenge against all those who harmed them and starts killing them one after the other. He ends up killing Raghava too. Raghava death creates a sensation, him being a minister. The police go after Vamsi accusing him of killing Raghava. Special officer (Sayaji Shinde) calls Vamsi's parents and comes to know the real story. Mahankali makes a plan and tries to kill Vamsi in jail but Vamsi escapes with the help of the special officer. Finally he kills Mahankali and his brother. Then Vamsi realizes that Bujji died long ago and that hew indeed lonely (Ontari).
Plus Points:
Gopichand's amazing acting is the primary reason that the film will do well. His energetic fights, six pack body and the excellently choreographed action scenes stand out. Gopichand was portrayed glamorously in addition being very handsome in the film. He showed a good amount of ease in the dances and action scenes. However, he still needs to improve his comedy timing.
Bhavana looked very apt in her role and the pair appeared to be made for each other. Other artistes including Sayaji Shinde, Asish Vidyarthi, Rajiv Kanakala have done justice to their roles. The comedy by Sunil and Ali is good. The camera work by Sarvesh Murari is good. Manisharma's music is good in parts. A couple of songs have choreographed well.
Minus Points:
Though the director maintained the suspense and tried directing the film a little differently by including the flashback episodes inbetween adequate breaks, he has appeared to have lost grip on the film overall. The slack in the film can be noticed in many places. The audiences will have a feeling that the director could have shot the scenes better.
Though the director tried to include family sentiment in the film, he could not highlight it properly. Killing of a minister is not as easy as portrayed in the film. Escaping from the scene walking off after the murder is also exagarated. It is a surprise that the heroine renders a sloka on Lakshmi, standing in front of the idol of Saraswati and that too in Sakhambari alankaram, claiming that it was Sravana Sukravaram. Such lapses could have been avoided. It has also become a common phenomenon among the Telugu directors to make a police officer free the hero and advise him to take revenge thus not doing hid duty. The director should have been more cautious with the wardrobe used in the film. The hero's dresses especially during song sequences were quite old fashioned.
Conclusion:
Producer Pokuri Babu Rao for the first time deviated from bringing out a message-oriented film to a commercial film. Another feature of the film is that for the first time, a film made under Ee Taram Pictures banner, was shot in foreign locations. Two songs were shot abroad in locations like Seychelles islands in New Zealand. The film spurned an above average talk on the first day first show as it has several mass elements. Gopichand once again proved that he is a minimum guarantee hero for the producer. Telugu film industry had got one more good heroine in the form of Bhavana.
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Vazhthukal Movie Review

Vazhthukal Cast : Madhavan, Bhavana Direction: Seeman Music: Yuvan Shankar Raja Production: T. Shiva

There are only a handful of Tamil movies that deal with family values and even fewer that look at what happens to neglected and lonely parents after their children have married and moved away. It is this rare theme that director Seeman explores in Vazhthukal, which stars, among others, Madhavan, Bhavana, Venkat Prabhu and Vijayalakshmi.
The story begins with people searching for Madhavan, who is shown sitting in a train with his parents in a rather somber state. Cut to a flashback: Maddy is the CEO of Amma, a software company that supports several social causes. He is disillusioned about marriage after he sees the parents of his close friends seeking asylum in an old age home run by Amma. Their son deserts them when his selfish, hardhearted wife demands that they go to an old age home. Maddy's father lets him look for a bride himself.
He is attracted to Bhavana, whom he spots in a TV programme that showcases young achievers. Her opinion on family values floors him completely. She even sings praises about her huge joint family with a host of brothers and their wives. Along with his friend and colleague, Venkat Prabhu, Maddy sets off to Bhavana’s college, hoping to woo her.
a variety of his usual romantic antics to make her fall for him. Maddy finally pounces on an opportunity that falls into his lap: to renovate her family house with the help of a leading interior designer. This way, he finally wins a place in her heart. This is when the movie reveals that this huge family headed by Bhavana’s grandfather is opposed to love marriages. How Maddy finds a place in the hearts of every family member and changes their mind about love forms the rest of the story.
The plot unfolds in the most clichéd manner possible with all the characters seeming wax-like. The family seem flawless, the kind of people you don’t see in the real world but always see in the films of Vikraman. The idea of Maddy doing up the house’s interiors with tips from the interior designer seems amateurish, and the result isn't aesthetically pleasing either. For a movie with two major stars, Vazhthukal is also technically mediocre. The camera work is rather plain, and the songs only slow down an already sluggish narrative. Director Seeman seems to suggest that films are just a medium to express your opinions on society and its values. The result, the movie pans out into a medium of propaganda rather than a visually rich, soulful narrative. Though the intention is good, his attempt to have no English words in the dialogues seems too contrived. The first half of the story is wasted in an elaborate introduction of all the characters and the plot reaches a (so-called) stage of conflict only well into the second half.
Madhavan’s lively performance, though, is what keeps the film at least a little engaging. And his chemistry with Bhavana is the other saving grace in this listless movie. But even this is marred by Seeman's self-conscious poetic one-liners that make the romantic scenes appear more funny than sensual. Vijyalakshmi as the interior designer lends credibility to her character, while Venkat Prabhu's humor doesn't work at all. Yuvan's background score isn't too bad but it can't lift the movie from its tedium. Vazhthukal might have worked better in the 90s, when family movies were better appreciated.
Vazhthukal Movie Review Pictures Wallpapers Images

Saturday, January 26, 2008

Beauty Bhavana Wallpapers

Kollywood Tollywood Beautiful Charming Actress Bhavana Pictures Pics Wallpapers Images